Matoi Ryuuko versus Chitanda Eru, or, Not all woobies are moe (萌); not all moe characters are woobies

Thesis: A character cannot seem sexy to me if that character is not interested in sex.

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Ryuuko, the protagonist of Kill La Kill! is a young lady whose father was brutally slain. She came home one day to find his rapidly cooling body as he bled out. This hardship immediately transformed her from a normal girl into a violent woman who will stop at nothing to get bloody revenge.

I have seen 12 episodes of Kill La Kill! so far. At no point has Ryuuko struck me as sexy, mostly because at no point has Ryuuko showed any desire for sex.
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Technical aspects of cosplay; what I like and what I don’t

I don’t pretend to be an authority on art, but I can point out what I don’t like, and what I do.

Example 1 of 2:
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The pale skin and slender build make this model a good fit for this character. Where is her sword?

The model’s facial expression seems to convey a passionate intensity, but not really for bloody revenge by combat. (I am not blaming the model. Models get photographed thousands of times; they can’t exercise precise control over each facial expression.)

The basic costume design is excellent, but some enforcer of public prudery seems to have put semi-transparent clothing between the model and her costume. This ruins the effect. The hair might be a little overdone.

How to fix it: First, get her a sword.
If public costume displays require semi-transparent hotpants and halter tops, do the photo shoot in private with a proper version of the costume. The girl is pretty enough to be a model; there’s no reason why she has to do photo shoots at Comiket.

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Shows I liked and disliked in 2013

I am mostly out of touch with the primordial cycle of the seasons, but anime shows come out in 4 separate seasons of 13 episodes each, so now that the Autumn 2013 season has ended, it is time to criticize anime writing.
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Yozakura Quartet: Hana No Uta

The original Yozakura Quartet anime was much more subdued; this made it more plausible, but less exciting. Hana no Uta is over-the-top, and for the most part that works out well, although it sometimes gets so whimsical that it snaps me out of my suspension-of-disbelief.

I was very impressed with this reboot. I enjoy each episode; I hope that the writer will manage to deliver a satisfactory plot that will prove to be worthy of all the individual episodes.

Beyond the Boundary/Kyoukai no Kanata
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